Erica Eso have a new album coming up soon; in the grand tradition of their albums, the title contains a 1, a 2, and a 9. The first couple singles seemed very... conventional compared to some of their earlier microtonal works, but this one and its wild video sold me:
After having this song blast through my head for 48 hours straight or so, I realized that I was probably judging them unfairly. Their earlier microtonal jams like "Pink Atlantic" were super weird and satisfying in their own way, but I kept holding them to that particular sound forever:
Is it a good sound? Of course, the author says (clutching the copy of New Music in Quarter Tones that he has carted around from rental house to rental house for the past several decades), but it's not the only sound. And now that the xenharmonic floodgates are open, anyone with a Korg or a computer and the desire to navigate menus can destroy the tyranny of equal temperament! So the new challenge is polyphonic off-center funk. Let's go.
And as someone who has long stuck with a particular gimmick (that dumb screeching tape language machine) and who has seen people look puzzled when I attempted to play an actual instrument, I understand where they're coming from.