Thank goodness the Raunchy Young Lepers never actually existed, but if they had ever existed, their 63-track tape Songs for People with NO Attention Spans would have been really good, in that really terrible way. Not that I am listening to it or anything. Thank goodness the internet doesn't hold on to things like that.
I think my Duplex Cremes / Metal Remorse / Theory Internal 99-track CD might ultimately be a tribute to that album.
Erica Eso have a new album coming up soon; in the grand tradition of their albums, the title contains a 1, a 2, and a 9. The first couple singles seemed very... conventional compared to some of their earlier microtonal works, but this one and its wild video sold me:
After having this song blast through my head for 48 hours straight or so, I realized that I was probably judging them unfairly. Their earlier microtonal jams like "Pink Atlantic" were super weird and satisfying in their own way, but I kept holding them to that particular sound forever:
Is it a good sound? Of course, the author says (clutching the copy of New Music in Quarter Tones that he has carted around from rental house to rental house for the past several decades), but it's not the only sound. And now that the xenharmonic floodgates are open, anyone with a Korg or a computer and the desire to navigate menus can destroy the tyranny of equal temperament! So the new challenge is polyphonic off-center funk. Let's go.
And as someone who has long stuck with a particular gimmick (that dumb screeching tape language machine) and who has seen people look puzzled when I attempted to play an actual instrument, I understand where they're coming from.
This morning I got to listening to Justin Tubb. Definitely an underappreciated songwriter and singer whose niche ("heartbroken high-concept novelty country songs") was never really a ticket to stardom, especially given that his famous father's work was considerably simpler. Ernest Tubb's "Thanks a Lot" reads at a Dick and Jane level (not a criticism!) Those kind of expectations can be killer.
"One for You, One for Me" is what Eternal Sunshine of the Spotless Mind would look like as a country song 35 years early. The fidelity on this YouChoob video is pretty bad, but there's some authenticity there, I guess:
The blue, blue cover of Where You're Concerned is not just for show - this one is nonstop high-concept novelty gloom, even the bouncy numbers like "Little Miss Lonesome." "Take a Letter, Miss Gray" takes the songs-of-lovin'-cheatin'-and-movin'-on category to new weird epistolary heights:
And while his singing was fine, Timi Yuro's version of his "When You Were Mine" really takes things to the next level. So over the top.
Cosmonox plays at No Fun 1709 SE Hawthorne Portland OR 97214 Sat 4/2/22 - we go on first at 8
I'll be playing the Language Master and melodica - no Casio CZ-101 this time, sorry Jason will be playing his new digital dub setup instead of his 4-track - it is totally dialed in Trippy light show included
We'll have the "new" CD Osmono that we would have been pushing two years ago, but some things happened