Catching up November 2025

It is still hard to believe that I created the album Gelatin Duplicator. I listened to it on headphones and, yes, I'm the one whose mouth is moving, but it's hard to believe that I committed to that particular sound so diligently. 

Speaking of which, I have this entire album I'm the One Whose Mouth Is Moving that I somehow forgot to release a decade ago. When my work gets less crazy I'll have to work on my Digital Legacy, maybe sign up for a DystroKyd account or something, and get this stuff off my hard drive and into the universe.

LISTENING:

• Juana Molina's new one DOGA
• Heather Leigh's eerie and singular Throne - finally bought a copy
• Mostly lots of 70s stuff:
• YouChoob episodes of The Midnight Special while washing the dishes - the Don Cornelius-hosted one is awesome, particularly the Whispers' "Bingo":
  
  
  The Joan Baez-hosted one an episode later is just so-so, but my jaw dropped when I heard her song "Children," in which she lists the names of a bunch of her kid's friends in 1975. Amid one verse comprised solely of J names, she says "[my name] and [my brother's name]" in that order. Were my parents listening? Is this an Easter egg they left for us to uncover fifty years later?
• I bought a bunch of smooth jazz/funk albums at the library used book store for a dollar each. Some are boring, but Luther Rabb's Street Angel is pretty sweet, particularly "Seattle Disco's Groovin' Tonight" which apparently also existed in a version called "Seattle Sonics Do It Tonight":
  

READING:
Several things at once. Slowly making my way through Helen DeWitt and Ilya Gridneff's crazed Your Name Here. If you happen to have a flight coming up and an interest in extreeeem metafiction and learning to decipher Arabic characters, highest recommendation. I read it on the plane on the way home from Boston recently and was completely losing it. Apologies to my fellow passengers.

Kiss Hello _Summerdata_

Here at Tape Mtn. HQ we have been listening to a lot of the newish Kiss Hello* album Summerdata. I got a chance to see and play with these guys on my most recent trip to LA and now the album is here in massive digital form. Take it in slowly. 

Certain themes come up repeatedly - loss, love, loss of love. Lyrics pop in and out and are repurposed. "Summer" is in the title (good title), but the vibe is autumn melancholy to my ears. Holding on. A data dump about past summers more than experiencing summer in the moment. "Someone's Life Has Just Begun" explains this vibe better than I can say it.

There's some really impressive musicianship here. How-did-they-do-that moments like the prog-adjacent epic "Western/Whatever." Over-the-top guitar solos when they are called for.** Detail to get lost in. Some moments of wabi-sabi that I appreciate. It gets genuinely dark in spots.

I have some theories on album sequencing that I've been working on since I was in elementary school:

• One of them is that the next-to-last track on an album needs to be the most vulnerable one, the track where you've established trust and you need to get it out and take the most risks before wrapping things up with a bow on the final track. This album does not disappoint on that front. Penultimate track "Awful Bliss" is the sound of the protagonist falling apart and melting in the rain, while 
• Final track "PSLGO" does wrap things up with a shiny pop bow sonically, but leaves the listener on the ostensibly unanswered question "You turned to me and asked do you love me?" Good trick.
• One rule of mine that IS violated, however, is that the track "1717" is track #16. If there is a number in a track title, do what you need to do to make it work.

You may find that you enjoy certain stretches more than others. You may find that you are happier if you burn a CD with certain songs and listen to it that way. That's what I did. I treated it like Julio Cortázar's Hopscotch, with more than one acceptable path through the tracks.

Bonus points for Very Ned liner notes from Friend of Tape Mtn. Ned R.  

*Obligatory conflict of interest note: I have known Friend of Tape Mtn. KH Linus for essentially his entire life 

**The official Tape Mtn. Secret Blog position is that over-the-top guitar solos are a good idea 

Lorena Álvarez - _El poder sobre una misma_

Recently whenever I've been driving people places in the Comfymobile, I always end up playing Spanish artist Lorena Álvarez's album Anónimo. Lovely, goofy, wild stuff, full of joy and ideas.

Thirteen years later she's put out one album and some EPs in multiple different directions, and now we are here in 2025 after a lot of everything and she has a new album called El poder sobre una misma. The trademark exuberance is still there in wonderful songs like "Increíble" and "Los pensamientos" but this one has a lot more contemplative moments. Not necessarily background listening for trips across Portland in an automobile or for doing office work, but there's a lot of introspective joy to be had. And the title track, a dorky polka about the joys of hitting rock bottom and finding a way out, is delightful, particularly when the million multitracked vocals hit at the end.

In the video for "Increíble," she gets to roll in tall grass, pretend to fly a helicopter, hang out with chickens and goats, drink a beer with her name on it, and climb a mountain. I guess I've done three of these things? I like it as an aspirational lifestyle video:

I can't seem to find a single way to legally obtain this album in the US. Montgrí won't ship to our backwards country thanks to our trade situation. Oh well, streaming it is.